San Fernando Valley abbreviated SFV.
The newly released 1950 census gives us
more information about the LaRocca/Cotterell family unit: listed at a residence in Gardena. Joseph’s occupation, Radio Orchestra Manager, Virginia, Christian Science Practitioner, Donna has an empty box for occupation, Head of House granddaughters Constance S is listed as 7 years and Diana L as 5 years.
With this new information I now have to ask:
When did Diana and family leave Los Feliz? late 1940s?
How long did they live in Gardena?
And when did Diana and her family move to 13055 Moorpark St?
I first connected the family to 13055 Moorpark St. address by an online city building permit dated in Dec. of 1952.
This house was located on the west side of Studio City close to the eastern border with Sherman Oaks. Specifically, off of the intersection of Coldwater Canyon and Ventura Blvd.
The Los Angeles River is nearby as is Sportsman’s Lodge; a classic Hollywood and SFV landmark. Apparently you could fish there.
The family knew about the area for some time because Joseph’s only sister Kathryn Marinello, and her husband Anthony. opened a food store at 13251 Moorpark in 1947.
There is a 1947 City document I have been unable to download; indicating a “food store” at 13251 Moorpark St. The building was not owned by the Marinellos.
This 1950s image below the Hughes Market that stood on the intersection of Ventura Blvd. and Coldwater Canyon Blvd. I believe it is the southeast corner.
Meanwhile..Diana’s father Robert Morgan Cotterell also moved to the SFV around this time, but further west of his daughters and ex-wife. His current wife Patricia/Pat and their two children, born in 1950 and 1951, (while his first 2 daughters were in Gardena according to the 1950 census) start out in the Canoga Park/Winnetka area on Lurline Ave.
It’s the first of many moves for them around Los Angeles due to Bob Cotterell Sr.’s career at Douglas Aircraft.
It is unknown exactly why the The LaRocca/Cotterell family moved to the SFV, but we do know that they were part of a massive migration to the area after World War 2, from both inside and outside of Los Angeles.
“The end of WW2 transformed the Valley and vastly accelerated its growth: vast tracts of suburban housing, shopping centers and industrial parks where chicken ranches, orchards and cattle ranches and wheat fields once existed. The 1940s and 50s, when I was growing up, the Valley was full of movie cowboys, beautiful ranches and fine horses.”Jerry England at cowboyup.com
“In the five years after the war, the population (of SFV) more than doubled to 402,538 residents-the pastoral San Fernando Valley was suddenly the ninth-busiest urban area in the nation. Valley society was a mix of young suburbanites, older families who had come west to try their luck as engineers, animators, or pioneers in the new field of television, and ranchers trying to hang on in the face of the new hordes.”The San Fernando Valley: America’s Suburb by Kevin Roderick
I discovered that Ned LaRocca spent most of the 1950s working as an orchestra manager for composer/conductor Leith Stevens, through Ned’s death certificate.
I can confirm two Leith Stevens projects that have a credit as “contractor” for Ned LaRocca: A Doris Day album recorded in 1951 at 1032 Sycamore Street; a studio known at that time as “The Annex.” Found on youtube.
The website careerexplorer.com defines an orchestra contractor is: “He or she has the job of finding the appropriate musicians for Broadway shows, television episodes and commercials.”
Ned had experience adapting to a new mass medium, when his first industry Vaudeville, died in the early 1930s during the Great Depression.
One significant factor that changed the popularity of radio programming was the rise of TV in the 1950s. Drama and comedy and musical variety shows moved to TV.
In 1950, just under 20 percent of American homes contained a TV set. Ten years later, nearly 90 percent of homes contained a TV—and some even had color TVs. The number of TV stations, channels, and programs all grew to meet this surging demand.encyclopedia.com
Ned LaRocca also has a credit on Leith Stevens 1953 score to the Marlon Brando movie “The Wild One.”
This record was a hit; released by Decca records, it remains Leith Stevens most well-known and well-regarded creation. J. Ned LaRocca is credited as “Contractor” on the project. Per Discogs.com.
Besides composing and conducting “The Wild One” soundtrack, Leith Stevens composed numerous scores for radio shows, movies and T.V. from the 1930s until his death in 1970.
IMDB indicates that many of Stevens’ compositions go uncredited.