The occasion was a gala for the new Andy Warhol exhibit, focusing on his use of repetition of images.
Warhol himself makes an appearance, obviously a big deal.
From the Los Angeles Evening Citizen 5/16/1970
More on Bill Gardner below.
William Louis Gardner was born in Minnesota and finished school there. HeFrom Bill Gardner’s website.
joined the US Air Force and worked at the Pentagon in the Target Library of the world. Went on to the Pasadena Playhouse to learn television and movie making. He got a job with actress Marion Davies at her home. There He met a movie agent and started a career in Hollywood. William Louis Gardner has worked in Hollywood as the agent, personal secretary, PR advisor and manager for for Mickey Rooney, Jonathan Winters, Jill St.John, Bobby Van and director, John Huston. William Gardner is the author of two books, “Confessions of a Hollywood Agent,” and “The Games End.”
According to this article, Paige Young and Andy Warhol discuss a role for Paige in an upcoming Andy Warhol film.
Marvene Jones says that Mr. and Mrs. DeWain Valentine made up a foursome with Paige and Bill Gardner, former manager of Jonathan Winters.
DeWain Valentine was an emerging artist in the 1960s Venice art scene. He had an exhibit at PAM the same time as the Warhol exhibit. (see above)
Valentine played a major part in the “Light and Space” art movement, along with artists Larry Bell, Robert Irwin, Helen Pashgian, James Turrell, John McCracken and more.
Many of these artists lived in Venice Beach due to the cheap rent.
Before the Light and Space artists, the Cool School or Ferus Gallery artists, had already established themselves in the early 1950s, many of them in Venice. This group includes: Ed Keinholz, Wally Berman, Billy Al Bengston, Ed Ruscha, Robert Irwin, Ed Moses, Craig Kauffman, and the curators and owners of the Ferus Gallery who helped bring them to renown, Walter Hopps and Irving Blum.
The Ferus Gallery gang famously interacted with Warhol during his well documented stay in Los Angeles in the early 1960s. Warhol drove with? from NYC to LA.
The Ferus ‘Studs’ the new generation of artists, young abstract painters, ceramicists and assemblage makers who had been flying under the wire now were the featured artists at the Ferus Gallery.The Gallery was ripe for the adventurous artists who would set the new bar in contemporary styles. The Ferus Gallery had belief in the performance of their work and was one of the first galleries to support it.
The Light and Space movement emerged from the Cool School in the mid-1960s. The art movement is also referred to as the “Finish Fetish School.”
DeWain Valentine developed a type of polyester resin that allowed him to make large scale pieces like the one below. Previously the material would crack when making a piece this size: approx: 17 1/4x 17/4 x 7/8.
Richard Sample told me that said after he moved to a studio-home in Venice (late 1960s) he invited Paige to move in with him there.
I asked Richard the location and he said he could not remember it, but that it was close to the ocean and his artist neighbors and friends were DeWain Valentine and Larry Bell. (See Chapter: Interview with Richard Sample)
Paige refers to her “new Venice art studio” in many interviews with Playboy magazine and US newspapers in 1969 and 1970. (See chapter: Most Public Year 1969)
Richard Sample and Paige Young joined the community of Venice artists but were “not working with the new materials” to quote Paige in a 1969 interview referring to Valentine, Bell and Irwin, not named.
I believe I have found location of this Venice studio: 62-68 Market St.
Research shows that Robert Irwin lived across the street from Valentine. This was not mentioned by Sample, I asked him if he knew Ruscha or Irwin and some others and he did not recognize those names, he was definitive about Bell and Valentine though.
Richard Sample’s niece Ellen remembers visiting her uncle and grandfather Charles Sample at the art studio/home in Venice. Charles also had a retail storefront in addition to his studio.
Richard and Ellen both recalled being able to see the beach from the studio. 62-68 Market St. is a large structure and was divided amongst many artists who rented their own studio according to Ellie This is why the address lists a range of numbers.
Richard Sample is listed with an address of 63 Market St. Venice, in a newspaper marriage announcement, 1968.
Ellen texted me a story: her Uncle Richard sublet the studio to Paige at one point. Ellen recalls tension with Paige and Ellen’s aunts, the wives of Charles Sample and his sons.
Ellen said her own mother was not bothered by Paige, but that she did “go with her sister-in-laws to see what was going on at the studio” about Paige. Ellen says the most tense time was when Paige’s Playboy issue was current.
DeWain Valentine has spoken about this Venice studio in several art magazine interviews; the influence on his art and his many artist neighbors and friends, including Larry Bell and Robert Irwin, particularly the early years of the 1960s and 70s.
DeWain Valentine lived in and eventually purchased the 62 -65 Market St. building.
Several records with his signature and name can be seen in public building archives from LA County, now available online. Copy of one seen below.
61-65 is the address listed.
DeValentine spent a couple decades living in Hawaii as well.
I have attempted to interview DeWain Valentine, and ask about his evening at Pasadena Art Museum with Warhol, Paige, Bill Gardner and others. I’d also like to know what he remembers about Paige, Richard, Charlie Sample and their time living and painting in the Market St. studio.
I have left several phone messages and mailed him a copy of the Marvene Jones column but have not as of yet heard back.
It was around this time that Paige moved into this garage apartment in Westwood after feeling “antsy” (as described by her friend Henry to me) living in the “isolated” Trancas/Broad Beach area of Malibu. This is the home where she would end her life in 1974.